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Women Beware Women (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

For a play of dark corners, shadowy deeds and masque-like spectacle, the Sam Wanamaker is surely the perfect playhouse. In Amy Hodge’s debut production for the Globe, and in collaboration with designer Joanna Scotcher, the SWP was darkened further than usual, with black tiling on floor and tiring house wall, and covers over the lanterns, …

Christmas at the (Snow)Globe @ Shakespeare’s Globe

Is it a Christmas show or a Shakespeare show? At the heart of Sandi Toksvig and Jennifer Toksvig’s joyful festive residency at the Globe lay an irreverent contestation over the space, whether reserved for ‘serious acting’ or opened up for community celebration. As a site-specific and original holiday entertainment, it spoke to the unique power …

Richard III (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

It may now have been a new play, with a new king (Sarah Amankwah’s Edward IV) and his courtiers standing for a family portrait, but the stage of Richard III bore all the scars of the Wars of the Roses. Edward and his wife Elizabeth (Nina Bowers) stood centrally in the family group, atop the …

Henry VI (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

NB: This review is based on a preview performance. Henry VI, the fifth entry in the Globe’s 2019 Histories Cycle, was a production of compromises, if not a compromised production. Reuniting the ensemble that performed 1 Henry IV, 2 Henry IV and Henry V over the summer (with a couple of replacement members), the decision …

Bartholomew Fair (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Please note – this review is of a preview performance. The sprawling Bartholomew Fair is an enormous play, a cast of seemingly thousands jostling shoulders in one of London’s most notorious fairs. Hosting it in the relatively bijou Sam Wanamaker was a bold choice, but Blanche McIntyre (with designer Ti Green) transformed it to maximise …

Henry V, or Harry England @ Shakespeare’s Globe

When I saw Sarah Amankwah in Doctor Faustus at the Sam Wanamaker just before Christmas, I expressed a hope that she’d be a regular at the Globe. The fact that, with very little Shakespeare experience behind her, she has then taken the major through-line role of the Henries trilogy as Hal/Henry V, suggests I wasn’t …

Henry IV Part 2, or Falstaff @ Shakespeare’s Globe

As much as I love 2 Henry IV as a stand-alone play, I often find it suffers a little when presented as the middle part of a trilogy. Whereas 1 Henry IV describes a clear arc for Falstaff, in addition to excellent set pieces for the other characters, and Henry V has a stand-alone narrative …

Henry IV Part 1, or Hotspur @ Shakespeare’s Globe

Following the revisioning of England offered by the Globe’s Richard II in the Sam Wanamaker, a different creative team imagined an England that was still under construction in Hotspur, the first in a trilogy performed by a single eleven-person ensemble. The Globe itself seemed partly dismantled, with partially built pillars, panels missing from the tiring …

Richard II (Shakespeare’s Globe) @ The Sam Wanamaker Theatre

What is England? Seeing Richard II the day after yet another missed deadline for the UK’s departure from the EU, in a climate of mass uncertainty about the nature of sovereignty and the future of the country, unavoidably presented difficult questions about what is at stake, both in the play and now. The uneasy laughter …

After Edward (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Rarely have response plays so explicitly picked up where their prompt play left off. Beginning in blackout, an arm with a lantern reached down from the ceiling of the Sam Wanamaker Playhouse, momentarily illuminating the auditorium. Then, in the renewed darkness that followed, an almighty crash, before Tom Stuart’s Edward – the actor and character …