From Aulis to Game of Thrones

Lynn Fotheringham tells us about the story of Iphigenia: I became fascinated with the story of the sacrifice of Iphigenia when I was a little girl. I first saw Cacoyannis’ 1977 film, Iphigenia, when taking a Greek-tragedy-in-translation course at Iowa State in what would now be called my ‘gap year’ in 1986—thanks, David Roochnik and …

Lady Macbeth of Mtsensk — or should that be Medea?

Helen Lovatt reflects on intertextuality and a trip to the opera (and continues to see Argonauts everywhere). Last week I experienced the theatrical pounding of Shostakovich’s Lady Macbeth of Mtsensk in a sensational and vivid production by the ENO. Get a flavour of it on youtube here. I do like a text that puts its …

Coming Soon: Theatre with a Classical Connection…

Lynn Fotheringham has been searching out theatrical productions with a classical connection over the next few months, in Nottingham, nearby cities and London. Sheffield, 13th February only, 13.00: Phaedra’s Love, semi-staged reading as part of a season of the complete works of Sarah Kane, whose reputation for writing plays with lots of on-stage violence suggests …

Drama or History?

Victoria Moore, a part-time student on the MA in The Visual Culture of Classical Antiquity, reflects on her experience of The Coronation of Poppea by Monteverdi, performed by Opera North at the Royal Theatre, Nottingham. I have to say that I am not familiar with any of Monteverdi’s operas, so my main expectation was of …

They might be Argonauts

One of the great things about working on Classics, and especially Classical Reception, is the enormous variety of material with which you can work. My current major research project is a history of the myth of Jason and the Argonauts. Thinking about how passing references to the Argonauts form the way we think about them, …