Effaced: the missing noses of classical antiquity

Mark Bradley explores an important cross-cultural phenomenon. A display cabinet in the Ny Carlsberg Glyptotek, Copenhagen, exhibits scores of disembodied noses (and various other appendages) from its Greek and Roman sculpture collections. This macabre collection of body parts was assembled in 1981 out of marble and plaster noses that had been deliberately removed by the …

Lady Macbeth of Mtsensk — or should that be Medea?

Helen Lovatt reflects on intertextuality and a trip to the opera (and continues to see Argonauts everywhere). Last week I experienced the theatrical pounding of Shostakovich’s Lady Macbeth of Mtsensk in a sensational and vivid production by the ENO. Get a flavour of it on youtube here. I do like a text that puts its …