// Archives

Hamlet @ The Young Vic

Over the pandemic, most of us have had to get used to being apart from one another. I may be speaking for myself, but it’s been exhausting (if rewarding) to re-learn how to socialise, how to physically interact with others. Negotiating awkwardness and new boundaries is part of this, as well as remembering the social …

Macbeth @ The Young Vic

The idea of a Macbeth co-directed by a director with classical experience (Carrie Cracknell) and a choreographer (Lucy Guerin) is an intriguing one, especially when this team has had prior success with a provocative Medea at the National. Yet the overall effect of the Young Vic’s new Macbeth was something less than the sum of …

Measure for Measure @ The Young Vic

One key moment in Measure for Measure exemplified the difference between Dominic Dromgoole’s production at the Globe and this, Joe Hill-Gibbins’s very different take at the Young Vic. In Dromgoole’s production, when Mariah Gale’s Isabella promised to claw out Angelo’s eyes, she simply and quietly removed her cap, revealing for the first time her long …

The Changeling @ The Young Vic

With the bulk of the audience divided from the main stage by a net barrier, it quickly became clear that Joe Hill-Gibbins’s celebrated production of Middleton and Rowley’s The Changeling was deeply concerned with the question of who, exactly, was being watched. While the floor-level stage surrounded by tiers and galleries of spectators cast the …