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Titus Andronicus (New Theatre) @ The New Theatre, Nottingham

I’ve spent much of the last week sticking up post-it notes on posters for the New Theatre’s production of Titus Andronicus, adding ‘and George Peele’s’ after the headline banner ‘William Shakespeare’s’. Titus still feels like a discovery when revived, a first for many of its audiences, and recent issues such as the authorship question (which …

Richard III (Silents Now) @ York Theatre Royal

Regular readers may be interested to know that I manage the Twitter hashtag #shaxfilm, an open online extension of my third year specialist module on Screen Shakespeares. The first film we study on this module is Frank Benson’s 1911 Richard III, filmed at the (then) Shakespeare Memorial Theatre in Stratford-upon-Avon with a fixed camera, preserving …

Richard III @ Nottingham Playhouse

Nottingham Playhouse is advertising its new production of Richard III as the ‘first major staging’ since the discovery of the historical king’s body under that now-infamous car park in Leicester. While this seems a little ungenerous in its implications about Bristol’s Tobacco Factory, the joy of this production will be the chance to see the …

The Complete Works of Shakespeare Abridged [Revised] (Reduced Shakespeare Company) @ Nottingham Playhouse

It would be churlish to react with academic indignation to The Complete Works of Shakespeare Abridged. The Reduced Shakespeare Company has existed for longer than I’ve been alive, and the Complete Works itself for twenty-six years. While the show may continue to present itself as a radical overturning of Shakespearean/British snobbery and a riotous romp …

Richard II (RSC) @ The Royal Shakespeare Theatre

As a statement of intent, Gregory Doran’s launch to his tenure as RSC Artistic Director is perfectly judged. Richard II is the most ‘Doranish’ production one could imagine, from the gorgeously conceived lighting design to the sensitive treatment of male-male relationships, from the meticulous attention to detail in the tiniest roles to the playful but …

A Midsummer Night’s Dream (Michael Grandage Company) @ The Noel Coward Theatre

Michael Grandage is an excellent director, particularly of actors. His Othello at the Donmar some years back provided what may prove to be a definitive Othello in Chiwitel Ejiofor, and his Lear starring Derek Jacobi in the same venue found rare intimacy in the play against a stark backdrop of boards. Yet as Grandage leaves …

Collaborative Plays by Shakespeare & Others

Following today’s piece in The Observer, discussion will no doubt be starting about the claims being made by the new edition entitled Collaborative Plays by William Shakespeare and Others. The article, which highlights the claim of Shakespeare’s ‘fingerprints’ being ‘found’, conflates the actual research done with the normal media-friendly subheadings designed to catch an audience, …

The Winter’s Tale (Sheffield Theatres) @ The Crucible

I’ll confess to my heart sinking somewhat as the cast of Paul Miller’s new Winter’s Tale emerged onto a bare thrust stage in Edwardian suits and European royal military uniforms. Almost as much as Twelfth Night, The Winter’s Tale seems to me to have become stuck in an era that doesn’t seem to me to …

Othello (National Theatre) @ NT Live

When digging out my ticket for the NT Live screening of Othello at Nottingham’s Broadway, I had to go into my archived email from four months ago. Booking for these screenings has become even more competitive, and as I tweeted afterwards I was disappointed to see so few young people in the audience. The extreme …

Twelfth Night (Filter) @ Curve, Leicester

This is a repost of a review written for Exeunt Magazine and is therefore not in usual Bardathon format. This production has been reviewed twice previously on The Bardathon, in its 2006 and 2008 iterations. Filter’s reinterpretation of Twelfth Night as rock gig is almost seven years old, dated from its first public outing in …