Measure for Measure @ Shakespeare’s Globe
October 14, 2015
The Globe has two key advantages in staging Measure for Measure. The first, to which I’ll return, is that everyone is always watching. In a play so concerned with surveillance, overhearing, manipulating events from behind the scene, the absolute exposure of the Globe stage breaks down any illusion of privacy, forcing every character to account …
Macbeth @ Hyde Park Cinema, Leeds
October 5, 2015
Justin Kurzel’s new film of Macbeth, one of the most frequently filmed of all Shakespeare’s plays, arrives carrying with it the threat of modishness. Capitalising on the success of the Game of Thrones ‘medieval’ aesthetic template, and starring the so-hot-right-now Michael Fassbender and Marion Cotillard, themselves successful arthouse/mainstream crossover actors, the film’s formula for artistic …
Richard III @ The Quarry Theatre, West Yorkshire Playhouse
October 4, 2015
Given the spate of stand-alone Richard IIIs since the titular king’s corpse was exhumed in 2012, it’s a brave production that emphasises the wider cycle of otherwise unseen events. Mark Rosenblatt’s bold and spectacular production for West Yorkshire Playhouse began with a group of industrial cleaners scrubbing a white stage clean of the blood left …
Bill @ The Light, Leeds
October 3, 2015
Bill, the first big-screen venture from the team behind the phenomenally popular Horrible Histories television series, is perhaps the most British film since Paddington. Characters complain repeatedly about London house prices; aspiring artists are told to grow up and get a proper job (Anne Hathaway presumably running for Schools Minister…); foreigners landing on the English …
Shakespeare’s Joan of Arc (Henry VI, Part 1) (American Shakespeare Center) @ the Blackfriars, Staunton VA
September 13, 2015
NB this review is of a preview performance, and does not reflect the play as of press night The resident company at the Blackfriars works exceptionally hard. Twelve actors are currently performing four Shakespeare plays in repertory six days of the week; not only that, but the whole company perform for fifteen minutes before the …
Antony and Cleopatra (American Shakespeare Center) @ The Blackfriars, Staunton VA
Although Staunton’s Blackfriars was constructed first, my experience of it comes through having seen several shows previously in the Globe’s Sam Wanamaker Playhouse. Virginia’s theatre feels very like the Wanamaker, if the Wanamaker breathed out substantially and took itself a lot less seriously. The resident company (most of the current acting company have been in …
A Midsummer Night’s Dream (Shakespeare Theatre Company) @ Sidney Harman Hall
September 6, 2015
It’s been nine years since I saw the Shakespeare Theatre Company tour to the Swan in Stratford-upon-Avon with their wonderful production of Love’s Labour’s Lost, and I’m delighted to have been able to return the visit while I’m based at the Folger Shakespeare Library in Washington DC this month. I’m also fortunate that this September marks the twenty-fifth …
Othello (RSC/Live from Stratford) @ The Broadway, Nottingham
August 27, 2015
With the exception of the German production that played for four nights during the Complete Works Festival, it’s been well over a decade since Othello was last on the main stage at the RSC. Of all the plays deemed controversial, from The Taming of the Shrew to The Merchant of Venice, Othello is the one …
The Merchant of Venice (RSC/Live from Stratford) @ The Broadway, Nottingham
July 23, 2015
Last night’s broadcast of The Merchant of Venice was one of the more fraught of the RSC Live from Stratford-upon-Avon screenings so far. Perhaps it was the reflective glitter of the golden mirrored wall that towered over the set, but the picture quality was much fuzzier than I’ve seen it for any live broadcast so …
King John @ Shakespeare’s Globe
June 28, 2015
The final performance of the Globe’s King John (claimed by Dominic Dromgoole to be the last Shakespeare play to receive a production at the theatre, although he is clearly excluding more recent attributions) took place on a sweltering summer evening and was punctuated by fainting. With the play’s religious ritual foregrounded through canopies and incense, …
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