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A Midsummer Night’s Dream: A Play for the Nation (RSC/Lovelace Theatre) @ Theatre Royal, Nottingham

The RSC’s much-heralded return to regional touring was already a phenomenon before it opened. Erica Whyman’s audacious experiment is touring a full RSC production of A Midsummer Night’s Dream to cities across the UK, with a different amateur theatre company joining them at each venue to play the Mechanicals and a fairy train for Titania …

Kings of War (Toneelgroep Amsterdam) @ The Barbican Theatre

In 2009 I was lucky enough to see Toneelgroep Amsterdam perform Ivo van Hove’s Roman Tragedies at the Barbican. That mammoth reworking of Coriolanus, Julius Caesar and Antony and Cleopatra remains one of my lifetime theatrical highlights – not just for its length and ambition, but for its cohesive use of space, its innovative flexibility …

Cymbeline (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Will Tosh’s essay in the programme for Cymbeline considers how that play – and others of this era of the King’s Men – were written to exploit the available technologies of the recently acquired Blackfriars Playhouse. It seems fitting, to that end, that Sam Yates’s production of Cymbeline itself makes flexible use of what is …

Othello (Shakespeare Theatre Company) @ Sidney Harman Hall, Washington DC

Much has been made of the casting of an actor of Pakistani descent, Faran Tahir, as a Muslim Othello in Shakespeare Theatre Company’s new production. Artistic Director Michael Kahn, in the production’s programme, suggests that this is a first for the company, and draws specifically on the fallout in the Middle East following the collapse …

The Winter’s Tale (Cheek by Jowl) @ Les Gemeaux

I was planning deliberately not to blog about Cheek by Jowl’s The Winter’s Tale. Not only did I see the first two previews, at a point when (even by Cheek by Jowl’s fluid standards) the show was still developing, but I also spent a few days in rehearsals with the company in December as part …

The Winter’s Tale (Kenneth Branagh Theatre Company/Fiery Angel) @ The Garrick Theatre/The Broadway Cinema

Kenneth Branagh’s company has taken up residence in the Garrick for a year with a fascinating season of new and established plays, some of which will be broadcast live on the same model as NT Live or the RSC’s Live from Stratford. The first screening, of Branagh’s own The Winter’s Tale (co-directed with Rob Ashford), …

Macbeth @ The Young Vic

The idea of a Macbeth co-directed by a director with classical experience (Carrie Cracknell) and a choreographer (Lucy Guerin) is an intriguing one, especially when this team has had prior success with a provocative Medea at the National. Yet the overall effect of the Young Vic’s new Macbeth was something less than the sum of …

Pericles (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Dominic Dromgoole’s tenure as Artistic Director of the Globe is ending, perhaps unsurprisingly, with stagings of four of Shakespeare’s ‘late plays’ as the first full Shakespeare productions in the Sam Wanamaker. Pericles, the first of these, plays to Dromgoole’s strengths: a rousing, varied play with huge shifts in tone, varied environments and a large ensemble …

Hamlet (Sonia Friedman Productions/NT Live) @ The Light, Leeds

Fortunately, given that I was extremely poorly during last night’s screening, everyone and their doctorate seems to have written about Hamlet already. There are really great pieces out there by Tom Cornford, Holger Schott Syme, Eoin Price, not to mention most of the newspapers at least twice, after the ‘controversy’ (read: storm in a teacup) …

Measure for Measure @ The Young Vic

One key moment in Measure for Measure exemplified the difference between Dominic Dromgoole’s production at the Globe and this, Joe Hill-Gibbins’s very different take at the Young Vic. In Dromgoole’s production, when Mariah Gale’s Isabella promised to claw out Angelo’s eyes, she simply and quietly removed her cap, revealing for the first time her long …