King John (RSC) @ The Swan Theatre
February 27, 2020
In a pointed and spectacular image towards the end of Eleanor Rhode’s production of King John, Cardinal Pandulph (Zara Ramm doing fantastic understudy work) sashayed across a stage filled with English and French soldiers wrestling and dying. King John (Rosie Sheehy) lay dead in an aluminium bathtub, bled out and soiled. As Pandulph reached centre-stage, …
Venice Preserved (RSC) @ The Swan Theatre
August 7, 2019
Thomas Otway’s 1682 tragedy, part of a mini-season of Restoration plays in the Swan, is a depressing affair. Despite the large scale of its political plot, as a group of conspirators led by an ambassador band together to overthrow the Venetian state, its focus is on a three-way relationship between a man, his secret wife, …
Measure for Measure (RSC/Live from Stratford-upon-Avon) @ The Broadway, Nottingham
August 1, 2019
Gregory Doran’s new Measure for Measure seemed, at times, to be almost defiantly setting itself against ‘relevance’. Eschewing the contemporary settings of several recent productions that have more explicitly responded to the #MeToo moment and the abuses of power in the highest offices (whether political, entertainment, sports), Doran returned to the text’s setting of Vienna, but updated …
Screening The Royal Shakespeare Company: A Critical History, by John Wyver (Bloomsbury, 2019)
July 16, 2019
The Royal Shakespeare Company’s relationship with film stretches back to the very earliest days of that medium, with Frank Benson’s two-reel film of Richard III – now a staple of university Shakespeare On Film courses – shot on stage at the Shakespeare Memorial Theatre in Stratford-upon-Avon; meanwhile, the company’s ongoing commitment to broadcasting its main …
The Taming of the Shew (RSC Live from Stratford-upon-Avon @ Broadway Cinema
June 6, 2019
I’ve already written at length about Justin Audibert’s The Taming of the Shrew at the RSC, and a second viewing of it – this time courtesy of free tickets to the live broadcast, with thanks to the RSC social media team – helped clarify much of what makes the production work, but gave me little further insight …
The Taming of the Shrew (RSC) @ The Royal Shakespeare Theatre
April 4, 2019
The setting for the RSC’s 2019 The Taming of the Shrew, the latest in a long line of attempts to find a way of making the play palatable as a comedy for the twenty-first century, ventured into the realms of speculative fiction. Director Justin Audibert’s concept imagined an alternative sixteenth century in which women were …
Romeo and Juliet (RSC) @ Nottingham Theatre Royal
February 21, 2019
An entirely unexpected fight broke out at the RSC’s Romeo and Juliet last night, and it wasn’t on stage. As several audience members took action to remonstrate with and ultimately eject someone who was expressing their disapproval for the production’s choices, many other audience members found themselves missing the meeting of the lovers. And when …
Timon of Athens (RSC) @ The Swan Theatre
January 17, 2019
It’s impossible to get away from Simon Godwin at the moment. His RSC Hamlet has only just finished touring; his Antony and Cleopatra at the National has been winning awards, and he’s just about to take up the artistic directorship of the Shakespeare Theatre Company in Washington DC, as well as directing a production in …
Tamburlaine (RSC) @ The Swan Theatre
November 17, 2018
Oh, how I’ve missed Michael Boyd. While there’s much I admire about Gregory Doran’s work, the RSC’s output has been at best variable for the last few years, often seeming to be in competition with the thrust stage and falling too often into dully conservative furrows. Boyd’s tenure as Artistic Director was far from perfect, …
Troilus and Cressida (RSC/Live from Stratford) @ Broadway Cinema
November 14, 2018
As a regular at Nottingham Broadway’s screenings of the Live from Stratford-upon-Avon broadcasts, it was dispiriting to see an audience barely a third of the usual size at the broadcast of the rarely-staged Troilus and Cressida; doubly so when this was one of the RSC’s most pleasingly innovative productions for some time. Following the Globe’s …
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