Romeo and Juliet (National Theatre) @ Sky Arts
April 5, 2021
A group of actors gather in a rehearsal room, chatting and laughing; we cut to them sat in chairs, making up three sides of a large square. It looks like meet-and-greet day, only there’s no director, no box set to show. Instead, it’s one of the actors, Lucian Msamati, who speaks, and he’s speaking the Prologue. …
Romeo and Juliet (National Theatre) @ The Dorfman, London (via Drama Online)
February 19, 2021
The National Theatre’s schools’ productions have developed in enormous sophistication over the last couple of decades, and it’s testament to their success as creative works in their own right that, not only are they getting runs at the National’s south bank base, but that two of them (Romeo and Juliet and The Winter’s Tale, which …
Twelfth Night (National Theatre) @ National Theatre At Home
April 24, 2020
The choice of the National Theatre to broadcast Simon Godwin’s Twelfth Night to homes to mark Shakespeare’s deathday on 23 April was a canny one; a crowd-pleasing comedy, with known quantities (Oliver Chris as Orsino and the headlining Tamsin Greig as a regendered Malvolia, the actors reunited from Green Wing) and an elaborate set courtesy of Soutra Gilmour. On a …
Antony and Cleopatra (National Theatre/NT Live) @ Broadway Cinema
December 7, 2018
In November, Ralph Fiennes and Sophie Okonedo became the first pair of co-leads in over thirty years to win the two Best Actor prizes at the Evening Standard Theatre awards. The casting alone, perhaps, made this not entirely unexpected; two Oscar-nominated actors in a big prestige National Theatre production directed by Simon Godwin, in one …
Macbeth @ The National Theatre
April 28, 2018
‘Now, after a civil war’ declared the programme, presaging the latest in a long line of not-quite-now post-apocalyptic settings for a major Shakespearean production. In Rufus Norris’s hands, the concept was at its laziest; not here the specificity of a post-Brexit decline as in Melly Still’s Cymbeline at the RSC. In this Macbeth, Scotland (dominated …
The Winter’s Tale (National Theatre) @ The Dorfman
February 16, 2018
I’m something of a Winter’s Tale completist these days, so it was a joy to get to see the National’s new touring version for young people. Stripped down to an hour and five minutes, Justin Audibert’s pared-down production took a complex and devastating play, and turned it into a heartwarming, and often uncompromising, examination of …
Richard II (National Theatre/Illuminations) on DVD
December 11, 2016
We owe Illuminations a huge debt of gratitude. Its ongoing ‘Screen Plays’ series, reviving and making available classic television productions, has already brought us An Age of Kings and The Wars of the Roses, and now it delivers a beautifully transferred recording of Deborah Warner’s seminal Richard II, the 1997 television version of the 1995 …
Everyman (National Theatre/NT Live) @ The Broadway Cinema, Nottingham
July 17, 2015
The introduction to Chiwitel Ejiofor’s Everyman and his friends, a sequence that must have taken up a good ten minutes of drug snorting, swearing, shagging, drinking, fighting, dancing and selfie-snapping, set out Rufus Norris and Javier de Frutos’s new Everyman as achingly, perhaps even desperately, ‘contemporary’. Distilling the vices of the modern world (particularly the …
King Lear (National Theatre/NT Live) @ The Broadway, Nottingham
May 2, 2014
This is the second time NT Live has broadcast a version of King Lear. The first, back in 2011, was the Donmar’s extraordinary pared-down version starring Derek Jacobi, drawing its power from the intimate, bare set and performances that utilised whispers to wonderful effect. By contrast, Sam Mendes’ new production for the Olivier was an …
Othello (National Theatre) @ NT Live
September 27, 2013
When digging out my ticket for the NT Live screening of Othello at Nottingham’s Broadway, I had to go into my archived email from four months ago. Booking for these screenings has become even more competitive, and as I tweeted afterwards I was disappointed to see so few young people in the audience. The extreme …
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