Henry VI (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
November 16, 2019
NB: This review is based on a preview performance. Henry VI, the fifth entry in the Globe’s 2019 Histories Cycle, was a production of compromises, if not a compromised production. Reuniting the ensemble that performed 1 Henry IV, 2 Henry IV and Henry V over the summer (with a couple of replacement members), the decision …
Henry V, or Harry England @ Shakespeare’s Globe
June 10, 2019
When I saw Sarah Amankwah in Doctor Faustus at the Sam Wanamaker just before Christmas, I expressed a hope that she’d be a regular at the Globe. The fact that, with very little Shakespeare experience behind her, she has then taken the major through-line role of the Henries trilogy as Hal/Henry V, suggests I wasn’t …
Henry IV Part 2, or Falstaff @ Shakespeare’s Globe
As much as I love 2 Henry IV as a stand-alone play, I often find it suffers a little when presented as the middle part of a trilogy. Whereas 1 Henry IV describes a clear arc for Falstaff, in addition to excellent set pieces for the other characters, and Henry V has a stand-alone narrative …
Henry IV Part 1, or Hotspur @ Shakespeare’s Globe
June 9, 2019
Following the revisioning of England offered by the Globe’s Richard II in the Sam Wanamaker, a different creative team imagined an England that was still under construction in Hotspur, the first in a trilogy performed by a single eleven-person ensemble. The Globe itself seemed partly dismantled, with partially built pillars, panels missing from the tiring …
Richard II (Shakespeare’s Globe) @ The Sam Wanamaker Theatre
April 15, 2019
What is England? Seeing Richard II the day after yet another missed deadline for the UK’s departure from the EU, in a climate of mass uncertainty about the nature of sovereignty and the future of the country, unavoidably presented difficult questions about what is at stake, both in the play and now. The uneasy laughter …
After Edward (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
March 31, 2019
Rarely have response plays so explicitly picked up where their prompt play left off. Beginning in blackout, an arm with a lantern reached down from the ceiling of the Sam Wanamaker Playhouse, momentarily illuminating the auditorium. Then, in the renewed darkness that followed, an almighty crash, before Tom Stuart’s Edward – the actor and character …
Emilia (Shakespeare’s Globe) @ The Vaudeville Theatre
Emilia’s transfer to the West End, after a short but impactful run at Shakespeare’s Globe last summer, felt like a triumph even before the show opened. A new play on a seventeenth-century female poet, commissioned for only eleven performances at the Globe, doesn’t tick the obvious commercial boxes, but Morgan Lloyd Malcolm’s text captured something …
Edward II (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
March 2, 2019
Nick Bagnall’s new production of Edward II, reimagined for a candlelit indoor playhouse, collapsed its imagined spaces from the very opening. Gathering around the corpse of Edward I, the company (led by Richard Bremmer’s Archbishop of Canterbury) sang a Latin requiem and then crowned Edward II (Tom Stuart). Edward then began speaking his own summons …
Doctor Faustus (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
December 16, 2018
Paulette Randall’s first production for the Globe – and, according to her bio, her first production of an early modern play – made an important statement, taking a play that focuses on the archetypal white male overreacher and casting Jocelyn Jee Esien as the titular Doctor Faustus. It’s part of the Globe’s agenda-setting commitment to …