All’s Well that Ends Well (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
January 28, 2018
In the end, I only saw two productions at the Globe while it was under Emma Rice’s leadership. This wasn’t by design – I loved Rice’s work with Kneehigh and, irrespective of the ongoing complaints about her treatment of the space, I thoroughly enjoyed the version of her Midsummer Night’s Dream that the BBC broadcast …
Edward II (Lazarus) @ Greenwich Theatre
‘Edward the First is dead’. Announced by a klaxon, this harsh voiceover opened Lazarus’s Edward II with a threat and a challenge. As the audience filed in, the stage had gradually filled with anonymous men, suited but jacket-less and barefoot, walking with measured, stately bobs. The combination of purposeful gait but seemingly random direction created …
The Tempest (Bilimankhwe International Theatre) @ Lakeside Arts Centre
October 28, 2017
Bilimankhwe’s latest project, The Tempest, is a potentially fascinating concept. Bringing together European and African artists, director Kate Stafford cast actors from Malawi and Zimbabwe as Ariel and Caliban, and a multi-racial British cast as the colonising Europeans, building into the production from the start a series of power relationships with the potential to comment …
Coriolanus (RSC/Live from Stratford) @ The Royal Shakespeare Theatre/Nottingham Broadway
October 12, 2017
Much was made in the pre-show paratexts for the RSC’s live broadcast of Coriolanus of the play’s contemporaneity, and at the same time the general nature of that contemporaneity. Coriolanus, as Haydn Gwynne suggested, is a play that always feels contemporary. In fact, this was one of the least specifically resonant Coriolani(?) I’ve seen for …
Mucedorus (Read not Dead) @ The Sam Wanamaker Playhouse, Shakespeare’s Globe
July 17, 2017
Read Not Dead is currently in the grip of the Before Shakespeare project, offering a series of readings curated to show off some of the finest, genre-bending plays of the late sixteenth century. Mucedorus followed The Rare Triumphs of Love and Fortune and Fidele and Fortunio, and I was delighted to join the Before Shakespeare …
Hamlet (Almeida) @ The Harold Pinter Theatre
My expectations have, over the last few years, been set very low for West End Shakespeare; a result of sitting through so many celebrity-headed, bland and conservative productions. An Almeida transfer of a Robert Icke production, however, and one that prompted such divisive reactions, is a different matter and, even transplanted to a more unfriendly …
Julius Caesar (Donmar/Illuminations) @ The Broadway, Nottingham
July 14, 2017
I missed all performances of Phyllida Lloyd’s Shakespeare Trilogy when they originally played at the Donmar and, latterly, King’s Cross, so I was thrilled to hear that they would be coming to cinemas. The suddenness of Julius Caesar’s appearance, and the relative lack of marketing, were hugely disappointing, however. Whereas NT Live and Live from …
Macbeth (GSP Studios) – private pre-release screening @ The Courthouse Hotel, London
June 17, 2017
Macbeth is a play that has a strong association in the imaginary with its implied landscapes. The images of the heaths, mountains, caves and woods of Scotland, first captured in engravings of scenes from the play in the eighteenth century, and culminating in films such as those of Roman Polanski (1971) and Justin Kurzel (2015), …
Julius Caesar (Sheffield Theatres) @ The Crucible
June 1, 2017
Julius Caesar is having a moment. The RSC are doing it in togas in Stratford; the Donmar’s celebrated all-female production is coming to cinemas in the summer; and Nicholas Hytner is making it his first Shakespeare at the new Bridge Theatre in the new year. It’s also Robert Hastie’s choice for an inaugural production, this …
Richard III (Northern Broadsides) @ Hull Truck
May 27, 2017
On Tuesday and Wednesday, I was speaking at a conference in Newcastle on ‘Offensive Shakespeare’, the aim of the event being to theorise ‘offence’ in relation to Shakespeare, whether attempts by practitioners to use Shakespeare to offend; offended reactions to Shakespearean texts and productions; or attempts to deconstruct the icon of Shakespeare him/itself. The conference …
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