The Jew of Malta (RSC) @ The Swan Theatre, Stratford-upon-Avon
July 26, 2015
Seeing The Jew of Malta immediately after seeing Volpone, with both performed by the same ensemble, brings out some surprising similarities between two very different plays. Both feature states with a severe – and arguably corrupt – rule of law; both feature a rich role-player as the morally deficient protagonist who deploys alternative personas as …
Volpone (RSC) @ The Swan Theatre, Stratford-upon-Avon
If Trevor Nunn’s superlative production of Volpone established just one thing, it is that Jonson’s finest play (cue debate) demands a tour de force performance from its lead. In Henry Goodman, Nunn found the perfect shapeshifter. Goodman, a stage stalwart without the celebrity baggage that fixes the persona of some other leading actors, had the …
The Merchant of Venice (RSC/Live from Stratford) @ The Broadway, Nottingham
July 23, 2015
Last night’s broadcast of The Merchant of Venice was one of the more fraught of the RSC Live from Stratford-upon-Avon screenings so far. Perhaps it was the reflective glitter of the golden mirrored wall that towered over the set, but the picture quality was much fuzzier than I’ve seen it for any live broadcast so …
Everyman (National Theatre/NT Live) @ The Broadway Cinema, Nottingham
July 17, 2015
The introduction to Chiwitel Ejiofor’s Everyman and his friends, a sequence that must have taken up a good ten minutes of drug snorting, swearing, shagging, drinking, fighting, dancing and selfie-snapping, set out Rufus Norris and Javier de Frutos’s new Everyman as achingly, perhaps even desperately, ‘contemporary’. Distilling the vices of the modern world (particularly the …
King John @ Shakespeare’s Globe
June 28, 2015
The final performance of the Globe’s King John (claimed by Dominic Dromgoole to be the last Shakespeare play to receive a production at the theatre, although he is clearly excluding more recent attributions) took place on a sweltering summer evening and was punctuated by fainting. With the play’s religious ritual foregrounded through canopies and incense, …
A Midsummer Night’s Dream (Theatre for a New Audience) @ Nottingham Broadway
June 22, 2015
I’m yet, to my memory, to see a professional Shakespeare production in the US, so the decision to film and broadcast Julie Taymor’s spectacular thrust-stage take on A Midsummer Night’s Dream is a welcome one. Notwithstanding Spiderman (and perhaps that show’s cataclysmic production history unfairly detracts from the ambition and achievement therein), Taymor’s proven ability …
Love’s Sacrifice (RSC) @ The Swan Theatre, Stratford
May 18, 2015
It is a little dispiriting to find the first of this summer’s Swan plays is another Caroline revenge tragedy in which women are dragged around by their hair and thrown to the ground. This directorial shorthand for women-being-treated-badly is becoming worryingly de rigueur, and its shock-value diminishes with constant repetition and normalisation, especially at the …
Measure for Measure (Cheek by Jowl) @ The Silk Street Theatre, Barbican
April 17, 2015
These notes supplement my review of the production in Moscow, here. The production I travelled to Moscow to see performed before a native speaking audience has made it at last to the UK, with a new Duke, an updated design and English-language (Shakespearean) surtitles. Although Cheek by Jowl defines itself as a multinational company, performances …
King Lear (Northern Broadsides) @ West Yorkshire Playhouse
April 12, 2015
A collaboration between great guest director and great company can create really wonderful work. The last time I saw a production by Jonathan Miller, it was his wonderful Hamlet at the Tobacco Factory, the first time that company had been directed by someone other than Andrew Hilton. And Northern Broadsides are always a joy to …
Hamlet (Royal Exchange) @ The Broadway, Nottingham
March 28, 2015
Watching the Royal Exchange production of Hamlet on the big screen, in a specially recorded film version (still performed in front of an audience, but with a certain amount of editing work to make the most of key images), brought home to me the significance of much of the production’s work. While I enjoyed the …
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