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Posts by Peter Kirwan

The Winter’s Tale (Cheek by Jowl) @ Les Gemeaux

I was planning deliberately not to blog about Cheek by Jowl’s The Winter’s Tale. Not only did I see the first two previews, at a point when (even by Cheek by Jowl’s fluid standards) the show was still developing, but I also spent a few days in rehearsals with the company in December as part …

The Winter’s Tale (Kenneth Branagh Theatre Company/Fiery Angel) @ The Garrick Theatre/The Broadway Cinema

Kenneth Branagh’s company has taken up residence in the Garrick for a year with a fascinating season of new and established plays, some of which will be broadcast live on the same model as NT Live or the RSC’s Live from Stratford. The first screening, of Branagh’s own The Winter’s Tale (co-directed with Rob Ashford), …

The Sea Voyage – Dress Rehearsal (British American Drama Academy) @ The Oval House Theatre

I was privileged to be invited along to a dress rehearsal this week of one of this year’s British American Drama Academy productions, the rarely-staged The Sea Voyage. This is a brilliant scheme, in which troupes of young American actors work with professional directors and designers to create full productions, staged in the Oval House …

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Macbeth @ The Young Vic

The idea of a Macbeth co-directed by a director with classical experience (Carrie Cracknell) and a choreographer (Lucy Guerin) is an intriguing one, especially when this team has had prior success with a provocative Medea at the National. Yet the overall effect of the Young Vic’s new Macbeth was something less than the sum of …

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The Devil is an Ass (Mercurius) @ The Rose Playhouse, Bankside

Jenny Easton’s production of The Devil is an Ass for Mercurius revived one of Jonson’s finest city comedies in a suitably evocative location. Although most of the action took place on the viewing platform in the Rose Playhouse, the play opened with the sight of Lewis Chandler’s Pug in the far distance, pinned against a …

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Pericles (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse

Dominic Dromgoole’s tenure as Artistic Director of the Globe is ending, perhaps unsurprisingly, with stagings of four of Shakespeare’s ‘late plays’ as the first full Shakespeare productions in the Sam Wanamaker. Pericles, the first of these, plays to Dromgoole’s strengths: a rousing, varied play with huge shifts in tone, varied environments and a large ensemble …

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The Duchess of Malfi @ Nottingham Playhouse

This is a repost of a review originally submitted to Exeunt Magazine. To the sound of seagulls and a ship’s horn, assorted servants, ladies, nobles and clergy from a range of time periods start criss-crossing the stage, piling up luggage and making preparations. Fiona Buffini’s new production of Webster’s tragedy for Nottingham Playhouse begins in …

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Hamlet (Sonia Friedman Productions/NT Live) @ The Light, Leeds

Fortunately, given that I was extremely poorly during last night’s screening, everyone and their doctorate seems to have written about Hamlet already. There are really great pieces out there by Tom Cornford, Holger Schott Syme, Eoin Price, not to mention most of the newspapers at least twice, after the ‘controversy’ (read: storm in a teacup) …

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Henry V (RSC/Live from Stratford-upon-Avon) @ The Broadway, Nottingham

Gregory Doran’s jaunt through the second tetralogy has come to its climax with this, a Henry V lauded by The Telegraph as ‘the production this country needs’. Following some discussions on Twitter, I remain unconvinced by what exactly this country might ‘need’ from Henry V. Leaders born into privilege who disguise their true purposes and …

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Measure for Measure @ The Young Vic

One key moment in Measure for Measure exemplified the difference between Dominic Dromgoole’s production at the Globe and this, Joe Hill-Gibbins’s very different take at the Young Vic. In Dromgoole’s production, when Mariah Gale’s Isabella promised to claw out Angelo’s eyes, she simply and quietly removed her cap, revealing for the first time her long …

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