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Henry V, or Harry England @ Shakespeare’s Globe

When I saw Sarah Amankwah in Doctor Faustus at the Sam Wanamaker just before Christmas, I expressed a hope that she’d be a regular at the Globe. The fact that, with very little Shakespeare experience behind her, she has then taken the major through-line role of the Henries trilogy as Hal/Henry V, suggests I wasn’t …

Henry IV Part 2, or Falstaff @ Shakespeare’s Globe

As much as I love 2 Henry IV as a stand-alone play, I often find it suffers a little when presented as the middle part of a trilogy. Whereas 1 Henry IV describes a clear arc for Falstaff, in addition to excellent set pieces for the other characters, and Henry V has a stand-alone narrative …

Henry IV Part 1, or Hotspur @ Shakespeare’s Globe

Following the revisioning of England offered by the Globe’s Richard II in the Sam Wanamaker, a different creative team imagined an England that was still under construction in Hotspur, the first in a trilogy performed by a single eleven-person ensemble. The Globe itself seemed partly dismantled, with partially built pillars, panels missing from the tiring …

The Knight of the Burning Pestle (Cheek by Jowl) @ The Barbican Theatre

The Knight of the Burning Pestle opened exactly as one might imagine a Cheek by Jowl production to open. To eerie music, a group of stone-faced actors emerged from behind a central white block on a bare stage, each bringing a chair with them. The chairs were arranged in deliberately unpatterned positions around the stage, …

The Taming of the Shew (RSC Live from Stratford-upon-Avon @ Broadway Cinema

I’ve already written at length about Justin Audibert’s The Taming of the Shrew at the RSC, and a second viewing of it – this time courtesy of free tickets to the live broadcast, with thanks to the RSC social media team – helped clarify much of what makes the production work, but gave me little further insight …