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Double Falsehood (Warwick Shakespeare Society) @ Warwick Arts Centre

Today was the Warwick Shakespeare Society’s rehearsed reading of Double Falsehood, which I’ve been involved in as a sort of dramaturg. I’ve already covered the rehearsal process in detail here, here and here, so this is just a quick note on the final performance, which I was finally able to sit down and enjoy. I …

Arden of Faversham (Em–Lou Productions) @ The Rose Theatre Bankside

The programme for this year’s second Arden of Faversham, at the Rose in Bankside, advertises it as "England’s Oldest Tragic Comedy" (as opposed to tragicomedy, which of course the play is emphatically not). While tragic comedy sounds like something Bottom might put on, it’s not a bad description of a play which is unavoidably funny …

Me and Orson Welles

This film comes as something of a holiday having recently written a performance history of Julius Caesar for the RSC Shakespeare single edition. Telling the story of Orson Welles’s seminal production of the play at New York’s Mercury Theatre in 1937 from the point of view of the actor playing Lucius, it’s a lovely slice …

Women Beware Women (National) @ The Olivier, London

Following The Revenger’s Tragedy a couple of summers back, Middleton is back on the Olivier stage, this time in the guise of Women Beware Women. Not only is this my favourite play by my favourite writer, but it’s directed by the wonderful Marianne Elliott with a stellar cast. Expectations, then, were somewhat high. And yet, …

Henry VIII @ Shakespeare’s Globe

Since Dominic Dromgoole took over at Shakespeare’s Globe, the prioritisation of the "house dramatist" over all others has disappointingly extended to the exclusion of plays by his contemporaries from the repertory – a real shame, as this was one of the features that used to make the Globe such an important venue from an academic …