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Coming up

I’ve had a couple of quiet theatregoing weeks, but it all kicks off again tonight. First, to Warwick Arts Centre for WUDS’ new production of ‘Tis Pity She’s a Whore. I’ve read the play, but never seen any Ford live, so very much looking forward to this. Tomorrow it’s a double bill – an academic …

The Bardathon as Experiment

I’ve been prompted recently to think in a little more detail about what The Bardathon actually IS. Why do I write? Who is it for? What is it ultimately trying to do? And so on. The blog is now three years old (my first review, of Nancy Meckler’s Romeo and Juliet, dates back to April …

The Lost Interpretations of Hamlet @ The CAPITAL Centre

Writing about web page go.warwick.ac.uk/capital/teaching_and_learning/projects/thehamletproject It’s a shame that my PhD doesn’t (at the moment, anyway) include any performative elements; I can imagine it being uniquely exciting to have your thesis shaped by theatrical experimentation and events. Last night saw PhD researcher and CAPITAL artist-in-residence Tom Cornford’s first public presentation of the Hamlet Project’s rehearsal …

Othello (Northern Broadsides) @ The Belgrade Theatre

Writing about web page http://www.northern-broadsides.co.uk/PAGES/currentproduction.htm Othello publicity art The new Northern Broadsides production of Othello has caused something of a stir this year, with countless articles and interviews devoted to the novelty of one of Britain’s most beloved comedians, Lenny Henry CBE, jumping in at the deep end with his first theatrical Shakespearean role. Broadsides …

Antony & Cleopatra (SATTF) @ The Tobacco Factory

Shakespeare at the Tobacco Factory have followed a similar format for most of their ten seasons to date, putting on two classic plays a year, one after the other. This tenth anniversary season, though, marks the first time that they have tried to link their two productions into a cohesive whole, with the same ensemble …