Love’s Labour’s Lost (RSC/Live from Stratford) @ The Broadway Cinema, Nottingham
February 14, 2015
The pairing of Love’s Labour’s Lost with Much Ado about Nothing in the RSC’s current season has caused no small amount of comment. The controversial retitling of the latter play as Love’s Labour’s Won is a publicity stunt although not without merit – the implication that the two plays are narrative sequels is bunk, but …
The Witch of Edmonton (RSC) @ The Swan Theatre, Stratford-upon-Avon
October 26, 2014
(note – this review is of a preview performance) The Roaring Girls season, discussed in previous posts on this blog, ended with an entirely untypical coda. Directed by a man (Gregory Doran), given an early modern setting and appearing divorced from the statements about feminism and gender roles within the RSC that had characterised the …
The Two Gentlemen of Verona (RSC/Live from Stratford) @ The Broadway, Nottingham
September 4, 2014
Much was made during last night’s live broadcast of the RSC’s Two Gentlemen of Verona of the fact that it has been in the region of forty-five years since the play last made it onto the main stage at Stratford. One of the great things about the current trundle through the canon is that it …
The White Devil (Royal Shakespeare Company) @ The Swan, Stratford-upon-Avon
August 17, 2014
Webster epitomises what critics such as Susan Bennett, Pascale Aebischer and Kathryn Prince have termed ‘the Jacobean’, in the sense that refers not to the literal historical period but the subset of early modern drama which usually commands an aesthetic prioritising sex, violence, spectacle and excess. Maria Aberg, who in her previous shows at the …
The Roaring Girl (RSC) @ The Swan, Stratford-upon-Avon
August 15, 2014
The Roaring Girl is a much better idea than it is a play. The idea of the ‘Roaring Girl’ (the title, of course, of the current Swan season) is a fantastic crucible for exploring ideas of gender identity and sexual performance, and the involved plot of shopkeepers’ wives and rakes about town taking advantage of …
Arden of Faversham (Royal Shakespeare Company) @ The Swan, Stratford-upon-Avon
August 13, 2014
In a year in which MacDonald P. Jackson’s new book has fairly definitively established the case for the place of Arden of Faversham in the Shakespeare canon, it’s rather refreshing to see a production of the play at the RSC that leans in no way upon Shakespeare, attributing the play to ‘Anonymous’ (much as Terry …
Midsummer Mischief (Royal Shakespeare Company) @ The Other Place at the Courtyard Theatre
June 29, 2014
At one point during a day of events forming the RSC’s Midsummer Mischief festival of new writing and vocal women, festival coordinator and RSC Deputy Artistic Director Erica Whyman expressed her frustration that professional critics have so far focused almost entirely on the wonderful strangeness – even the victory – of having a whole season …
Henry IV Part 2 (RSC Live from Stratford-upon-Avon) @ The Broadway, Nottingham
June 19, 2014
There were over a hundred spare seats at the Broadway last night for the RSC’s live streaming of Henry IV Part 2. After years of being used to sold-out screenings of NT Live broadcasts, I can but speculate over the reasons for this.No doubt the time of year, the lack of a major film or …
Richard II (RSC) @ The Royal Shakespeare Theatre
October 30, 2013
As a statement of intent, Gregory Doran’s launch to his tenure as RSC Artistic Director is perfectly judged. Richard II is the most ‘Doranish’ production one could imagine, from the gorgeously conceived lighting design to the sensitive treatment of male-male relationships, from the meticulous attention to detail in the tiniest roles to the playful but …
All’s Well that Ends Well (RSC) @ The Royal Shakespeare Theatre
September 14, 2013
The last production in the RSC’s 2012 summer season, a rare main-stage outing for All’s Well that Ends Well, followed a recent series of successful London revivals of the play, including the Globe’s own, the visiting production by Arpana Theatre (which I’ve reviewed in the recently released CUP book Shakespeare Beyond English), and the National Theatre’s sublime …
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