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Henry IV Part II (RSC) @ The Courtyard Theatre

After the disappointment of Michael Boyd’s Henry IV Part I, it gives me great pleasure to announce that Richard Twyman’s Henry IV Part II is a joy to watch. Fast, funny, moving, integrated and with a unique character and flavour of its own, this production comes with a massive sigh of relief, rekindling my faith …

Henry IV Part I (RSC) @ The Courtyard Theatre

The disappointment is crushing. It was perhaps too much to hope that every play in the Histories Cycle would be a cracker, but after five excellent productions (even Richard III, which I wasn’t too fussed about at the time, has left a positive impression on me), Michael Boyd has finally dropped the ball. That said, …

Richard II (RSC) @ The Courtyard Theatre

With the Complete Works Festival now long over, and the Swan preparing to shut down in a couple of weeks, the RSC’s attention now seems focussed on its new Big Project. The Histories Cycle is Michael Boyd’s attempt to stage with a single company the two tetralogies of history plays that Shakespeare wrote. The Cycle …

Macbett (RSC) @ The Swan Theatre

I should preface this by saying that I’m not overly familiar with the work of Eugene Ionesco. I’ve studied a little of the ‘Theatre Of The Absurd’, but never actually seen a Ionesco production until last night. The opportunity, therefore, to see a response to Shakespeare written by one of the pioneers of a particularly …

The RSC Open Day

It’s been almost a week since the RSC Open Day 2007, which among other things heralded the official close of the Complete Works Festival. I’ve had a hectic week at work and haven’t had a chance to even think about posting blogs for a while, but the one advantage of having the extra time is …

Macbeth (RSC) @ The Swan Theatre

‘Macbeth’ is a play that has been done time and time again. Most importantly, it’s been done well. Trevor Nunn’s production starring Ian McKellen and Judi Dench is often held up as the greatest filmed Shakespeare, and films by Roman Polanski and Orson Welles have also had major impacts. Even the BBC version was uncommonly …

The Grand Overview

Here’s the thing I’ve been looking forward to writing for quite some time- a final overview of all the productions I’ve had the pleasure of seeing during the Complete Works. They’re given in order of how highly I rate them- enjoyment, quality of production, interpretation etc. all come into it, but mostly it’s just down …

The Completed Works

So, that’s it! After a year of theatregoing, and even longer of planning and buying tickets, I’ve finished the Complete Works. I’ve seen all fifty-four main productions in the Festival, as well as a smattering of Fringe productions, talks, events and happenings. I’ve spent a great deal of money, moved house twice, had one relationship …

King Lear (RSC) @ The Courtyard Theatre

I don’t wish to come across as unprofessional, but this is going to be a very difficult review to write. Last night I sat in the front row for Trevor Nunn’s ‘King Lear’, and I still don’t feel as if I’ve entirely recovered. It was theatre as I’ve rarely experienced it- theatre that reaches inside …

Old friends: Richard Goulding and John Heffernan

One of the satisfying things about seeing the entire Complete Works has been the opportunity to see actors – often in the smaller parts- returning to the stage again and again, excelling in parts and coming to audience’s attentions. Rob Carroll is a good example- a bit player in the ‘Antony’/’Caesar’/’Tempest’ company, who got to …