A Christian Turn’d Turk (Read Not Dead) @ The Sam Wanamaker Playhouse
October 6, 2014
Back in May, four teams of paired scholars and directors took the stage at the Sam Wanamaker Playhouse to pitch for the return of a classic Read Not Dead production. We could have had Middleton’s Your Five Gallants. We could have had Lyly’s Sappho and Phao (though perhaps Lyly needs have been better met recently …
Titus Andronicus @ Shakespeare’s Globe
July 4, 2014
As with the 2006 original production, the current revival of Lucy Bailey’s Titus Andronicus has been making headlines for its experiential elements rather than for the performance itself. Specifically, yet again, the audience has been fainting in droves. There’s a culture of expectation around the fainting for this production fuelled by the media and Twittersphere, …
The Duchess of Malfi (Shakespeare’s Globe) @ BBC4
May 25, 2014
In a new age of broadcast theatre where the prices for NT Live and Live from Stratford screenings are creeping up (and where the Globe’s own DVDs are still shockingly expensive), it is refreshing and welcome to see The Globe broadcasting its major production of The Duchess of Malfi for free on BBC4. This is, …
The Knight of the Burning Pestle (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
March 23, 2014
Last year, one of my most read blogs was my review of the Globe’s rehearsed reading of Francis Beaumont’s The Knight of the Burning Pestle as part of the Read not Dead series. That review did the rounds and even got quoted in the Globe’s annual review. What made that performance one of the finest …
The Duchess of Malfi (Shakespeare’s Globe) @ The Sam Wanamaker Playhouse
February 14, 2014
It is an absolute joy to see the Sam Wanamaker Playhouse up and running. Nestled in the Globe’s belly, jutting far into the foyer, this reimagining of a Jacobean indoor theatre is beautiful and invigorating. While its relative newness isn’t entirely to its advantage at the moment (the paint work just a little too crisp, …
The Birth of Merlin (Read Not Dead) @ Shakespeare’s Globe
September 16, 2013
Of the fourteen plays included in C.F. Tucker Brooke’s Shakespeare Apocrypha in 1908 (to be supplanted next month by the RSC Collaborative Plays by Shakespeare and Others, in which I’ve had a hand), I’ve now seen six: The Two Noble Kinsmen (twice), Thomas More, Arden of Faversham (twice), A Yorkshire Tragedy (twice), Fair Em and …
The True Tragedy of The Duke of York (Shakespeare’s Globe) @ York Theatre Royal
July 7, 2013
3 Henry VI is perhaps the hardest play in the canon to begin, starting as it does with the explosion of the Yorks into the Lancastrian throne room. Nick Bagnall had his actors begin standing with the audience before the proscenium arch, then pulling themselves onto the stage in a rather weak movement. This was, …
The Houses of York and Lancaster (Shakespeare’s Globe) @ York Theatre Royal
Having only ever seen one live production of 2 Henry VI, I’d forgotten quite how much happens in this play. Even with the Simpcox scenes cut, the Globe’s production still fell neatly into four miniature plays: the tragedy of Eleanor of Gloucester, the downfall and death of Humphrey and Beaufort, the rebellion of Jack Cade …
Harry the Sixth (Shakespeare’s Globe) @ York Theatre Royal
The Globe’s touring adaptation of the first of the Henry VI plays announced its ambition from the first, with an enormous covered throne standing central on the Theatre Royal stage, flanked by two scaffold towers. The bare, skeletal structures were surrounded by galleries boasting armour, tabards, drums and weapons, evocative of a museum gallery. This …
Friar Bacon and Friar Bungay (Read Not Dead) @ Shakespeare’s Globe, Park Street Rehearsal Room
June 9, 2013
Friar Bacon and Friar Bungay is, arguably, the finest work by the much maligned Robert Greene, a historical romance in the vein of Fair Em and a fine example of the late sixteenth century stable of university conjurer dramas that also produced Doctor Faustus. It no doubt presented Read not Dead first-time director David Oakes …
Find, follow, join us
