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Propaganda and Art

What are we to make of art that is put to some morally dubious purpose? Can we still appreciate it as art or has it become tainted by its use? Politicians are acutely aware of the stirring and motivating power of art and thus it is natural that they put it to use in propaganda, …

Riefenstahl’s Olympia

Can art be beautiful even though it’s wrong or would its wrongness destroy its beauty? This rather abstract question of contemporary aesthetics is made concrete in the example of filmmaker Leni Riefenstahl’s work. Riefenstahl was revolutionary, pioneering in the 1930s a number of cinematographic innovations. She used unusual angles on her subjects; she distorted the …