Immersion and Self-Consciousness
June 15, 2014
Schopenhauer claimed that the function of art was to release the individual from their constant restless striving. We have selfish desires that we look to satisfy, desires which seem beyond our control and not always admirable. But in aesthetic contemplation we can lose our sense of self if we become immersed in the object and …
Football is for Losers
June 11, 2014
The day before my first birthday, England won the World Cup. England’s greatest footballing triumph passed me by. I grew up never seeing them as a World Cup team as they failed to qualify for the ’74 and ’78 finals. In 1982, I finally saw England kick their first ball in the tournament: and what …
The Seventies
June 7, 2014
If obliged to live my whole life perpetually in a single decade, I hope it would be the 1970s. Some think of it, with all its excesses, as the decade that taste forgot. But it was a time of extremes and never boring. Starting more or less with the first manned moon landing, there was …
Playing with the Possible
November 10, 2013
The future contains many possibilities. While not everything is within our control, quite a lot is. We have a say in which of the possibilities become real. Not everyone sees all that is open to them, however. Some have a greater imagination than others and can see more of the possible. Imagination is a source …
The Metaphysics of Chess
October 6, 2013
As soon as the necessities of life are secured, we turn to the arts but also to games. Arts and games are alike in having no immediate practical value but their very pointlessness reveals their intrinsic value to us. Games are sometimes called pastimes. It might look as if their purpose is merely to pass …
Riefenstahl’s Olympia
July 5, 2012
Can art be beautiful even though it’s wrong or would its wrongness destroy its beauty? This rather abstract question of contemporary aesthetics is made concrete in the example of filmmaker Leni Riefenstahl’s work. Riefenstahl was revolutionary, pioneering in the 1930s a number of cinematographic innovations. She used unusual angles on her subjects; she distorted the …
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