Photo Synthesis
September 29, 2013
The camera, even in my childhood a rare item, is a gadget that everyone I know now possesses. We used to choose our shots carefully. There were only 24 or 36 frames on a roll of film, which then required time and money to be developed and made into prints. Any movement led to a …
Propaganda and Art
April 14, 2013
What are we to make of art that is put to some morally dubious purpose? Can we still appreciate it as art or has it become tainted by its use? Politicians are acutely aware of the stirring and motivating power of art and thus it is natural that they put it to use in propaganda, …
The Soundtrack to your Life
March 24, 2013
Music is probably our greatest invention. What else can so quickly lift our spirits or reduce us to tears, the two often being only seconds apart? Philosophers debate whether music really was an invention. Perhaps it was discovered. It might exist in a Platonic realm, which is our aspiration to comprehend. Certainly there is a …
Do Nothing
March 17, 2013
A few weeks ago I had an early morning flight to take. Due to poor forward planning, I was alone on board with no internet, no book or magazine and little charge on my laptop. In a restless world, such a situation seems almost a punishment to bear. What worse a torture can one inflict …
The Original
March 10, 2013
On the way home from a conference in Utrecht last week I had time to stop off at the Van Gogh Museum in Amsterdam. As far as I could tell, they have the biggest and best collection of Van Gogh paintings anywhere in the world. You can stand right in front of a Sunflowers or …
Soft or Hard?
January 20, 2013
We sometimes speak of the hard sciences, meaning physics, chemistry, mathematics and anything for which there are clear, determinate answers to be found. The hard/soft distinction can be found even in the arts. In philosophy we often distinguish between the hard end, of logic, metaphysics and epistemology, and the softer end of ethics, aesthetics and …
Riefenstahl’s Olympia
July 5, 2012
Can art be beautiful even though it’s wrong or would its wrongness destroy its beauty? This rather abstract question of contemporary aesthetics is made concrete in the example of filmmaker Leni Riefenstahl’s work. Riefenstahl was revolutionary, pioneering in the 1930s a number of cinematographic innovations. She used unusual angles on her subjects; she distorted the …
Steranko
December 23, 2011
I have an article in Times Higher Education magazine this week on superpowers and comic books. I mention there the work of Jim Steranko. My view is that Steranko played a key role in the evolution of the comic book from throwaway pulp to high art. Comics had a very formulaic look all the way …