The Scaling the Sublime Artcode project by DHC volunteer Chloe Austin.
April 20, 2018
This year volunteers from the Digital Humanities Centre (DHC) teamed up with Crop Up Gallery to create the online content for Lakeside Arts current exhibition: Scaling the Sublime: Art at the Limits of Landscape. Volunteer Chloe Austin reflects on the project below. A few weeks ago, I attended the private view of Scaling the Sublime: …
Inspiring Slides: James Malton’s ‘The Custom House, Dublin’ by Niall Walsh.
December 19, 2017
Today’s Inspiring Slide was chosen by second year History student Niall Walsh who chose James Malton’s The Custom House, Dublin, 1792. Find out how you could be inspired by the School of Humanities’ slide collection at the end of Niall’s blog. The slide I have chosen to write about depicts a drawing by James Malton, …
DHC’s new HDAP: Heritage Digital Activity Pack by Ranait Flanagan
November 30, 2017
This year the Digital Humanities Centre has invested in some new equipment which we will be revealing here on Digital Dialogues over the coming weeks. One of the new arrivals that we are excited about is the Heritage Digital Activity Pack, otherwise known as the HDAP. The HDAP is available to all Arts students, its …
Inspiring Slides: John Frederick Lewis, ‘Indoor Gossip, Cairo’ by Fatima Kasujee.
November 17, 2017
The first Inspiring Slides post of the 2017-18 academic year is by second-year History student Fatima Kasujee. Fatima is one of this year’s intake to the DHC’s student volunteer scheme and it was whilst working with the slide collection that her eye was caught by the work of John Frederick Lewis. John Frederick Lewis was …
The ISYP Digitisation Project: A New Year by Jamie Shakespeare.
November 6, 2017
A new academic year has just begun, and with it comes the next stage of the DHC student Volunteer’s project to digitise and build an online archive of the Classic’s departments Independent Second Year Project (ISYP) student work (you will recall that in this innovative module ‘students select not only the subject-matter of their work but …
Inspiring Slides: J.M.W. Turner’s ‘Nottingham’, 1832 by Marina Phelps
August 11, 2017
The latest in our Inspiring Slides posts comes from History of Art graduate and DHC alumna Marina Phelps who was inspired by one of the slides from the recent ‘Then and Now’ exhibition here in DHC. J.M.W. Turner’s Nottingham, 1832, is one of two watercolours that he painted of Nottingham. The first was in 1794, and the second, …
DHC’S ‘Then and Now’ exhibition, by Macayla Ford Madden and Matt Davies.
June 28, 2017
One of the DHC’s great accomplishments of the 2016-17 academic year was the ‘Then and Now’ exhibition which took place in April. Here DHC student blogger Macayla Ford Madden and manager Matt Davies look back on what was without a doubt the highlight culmination of a great year of DHC student volunteering. With the support and …
Student volunteer news: trip to the Manuscripts and Special Collections department
May 8, 2017
The student volunteers in the Collections Team this year here at the Digital Humanities Centre have been diligently working on ‘weeding’, re-organising and digitising parts of the Humanities slide collection that is housed in the DHC. With thousands of slides to get through, this has been an exciting but immense project for the team. For …
Notes on the School of Humanities slide collection part two by Nicholas Alfrey
April 11, 2017
In the second part of Notes on the School of Humanities slide collection, Nicholas Alfrey looks at the contents of the collection and what it tells us about the way History of Art has been taught at Nottingham over past decades. As will be evident to anyone who has spent time browsing through the slide …
Notes on the School of Humanities slide collection, part one by Nicholas Alfrey
March 31, 2017
On Monday 3rd April student volunteers from the DHC launch their Then and Now exhibition, projecting images of Nottingham buildings from the School of Humanities’ slide collection. Projected alongside these will be digital images of the same spaces captured or created by the students themselves, creating a dialogue between images and technologies past and present, then and now. …
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