// Archives

Henry VI, Part One: Open Rehearsal Project (RSC) @ The RSC rehearsal rooms (online)

The RSC has been cautious about its reopening in summer 2021. Where other theatres are beginning to tentatively let socially distanced crowds back into their buildings, the RSC has committed instead to a different kind of programme and a different kind of co-presence. The upcoming The Comedy of Errors will make use of the theatre’s unique …

King John (RSC) @ The Swan Theatre

In a pointed and spectacular image towards the end of Eleanor Rhode’s production of King John, Cardinal Pandulph (Zara Ramm doing fantastic understudy work) sashayed across a stage filled with English and French soldiers wrestling and dying. King John (Rosie Sheehy) lay dead in an aluminium bathtub, bled out and soiled. As Pandulph reached centre-stage, …

Venice Preserved (RSC) @ The Swan Theatre

Thomas Otway’s 1682 tragedy, part of a mini-season of Restoration plays in the Swan, is a depressing affair. Despite the large scale of its political plot, as a group of conspirators led by an ambassador band together to overthrow the Venetian state, its focus is on a three-way relationship between a man, his secret wife, …

Timon of Athens (RSC) @ The Swan Theatre

It’s impossible to get away from Simon Godwin at the moment. His RSC Hamlet has only just finished touring; his Antony and Cleopatra at the National has been winning awards, and he’s just about to take up the artistic directorship of the Shakespeare Theatre Company in Washington DC, as well as directing a production in …

Tamburlaine (RSC) @ The Swan Theatre

Oh, how I’ve missed Michael Boyd. While there’s much I admire about Gregory Doran’s work, the RSC’s output has been at best variable for the last few years, often seeming to be in competition with the thrust stage and falling too often into dully conservative furrows. Boyd’s tenure as Artistic Director was far from perfect, …

The Duchess of Malfi (RSC) @ The Swan Theatre

I do hate Stratford-upon-Avon. Not only is it a six-hour round train journey from the East Midlands, but a single trespassing incident resulted in two cancellations and, most selfishly, me missing the first half hour of Maria Aberg’s spectacular (and spectacularly bloody) Duchess of Malfi. I am reliably informed by authorities (read: Twitter) that the …

The Two Noble Kinsmen (RSC) @ The Swan Theatre

Just over a decade since I saw the RSC’s Canterbury Tales company offer a fascinating script-in-hand staging of The Two Noble Kinsmen, it was a pleasure to return to the Swan at last for a full-scale professional production, especially in the hands of Blanche McIntyre, fresh from a superb Noises Off at Nottingham Playhouse. While …

The Alchemist (RSC) @ The Swan Theatre

The RSC’s contribution to the 400th anniversary of Ben Jonson’s 1616 Folio is a Swan production of The Alchemist, occupying the slot that Volpone took last summer. The RSC invested a large, game cast, one of the biggest bands I’ve seen in the Swan for some time, and a production budget that stretched to a …

Doctor Faustus (RSC) @ The Swan Theatre

Watching Maria Aberg’s production of Doctor Faustus in the Swan, I found it hard not to think of A-level drama projects. This isn’t just because I’m speaking at a sixth-form study day at the RSC next month tying in with this production, but because of the deliberately DIY aesthetic of the production, with its gaudy …

The Jew of Malta (RSC) @ The Swan Theatre, Stratford-upon-Avon

Seeing The Jew of Malta immediately after seeing Volpone, with both performed by the same ensemble, brings out some surprising similarities between two very different plays. Both feature states with a severe – and arguably corrupt – rule of law; both feature a rich role-player as the morally deficient protagonist who deploys alternative personas as …