Reviewing Reviewers
August 25, 2013
My son was listening to a film review on You Tube last week. I found the reviewer to be smug, sniping and self-satisfied, poking fun at a movie that he wouldn’t have had the talent to produce in a million years. If internet reviewers really knew what they are talking about, wouldn’t they be working …
Lost and Found in Translation
July 7, 2013
A couple of months ago I had dinner with a professional translator who produces subtitles for film and TV. The conversation led to the complexities of the process. There are difficult judgments to be made all the time, as with any form of translation. Does the word in language A really mean the same as …
Broadened Horizons
June 29, 2013
I’ve been thinking a lot recently about the issue of free will. There is often considered to be a problem of free will because of a view that our world contains deterministic laws and causes that trap us in their web. That’s never been my main worry, however. I’ve been far more concerned about social …
Nordic Knitwear – We’re all Scandinavian Now
February 17, 2013
Twenty years ago you have the feeling that if a Danish TV series had been aired in the UK it would’ve involved Scandinavian characters inexplicably speaking English to each other. But the appetite for Nordic noir seems insatiable nowadays, all in its original language and subtitled: Forbrydelsen, Broen, Wallander, Borgen, and so on. And why …
Film, Form and Function
February 3, 2013
Are there any classic movies you’re ashamed to say you’ve never seen? I rectified my biggest omission last week when I watched Citizen Kane, which many take to be the greatest film of all. At a movie industry dinner some months ago I found I was not the only one around the table for whom …
Riefenstahl’s Olympia
July 5, 2012
Can art be beautiful even though it’s wrong or would its wrongness destroy its beauty? This rather abstract question of contemporary aesthetics is made concrete in the example of filmmaker Leni Riefenstahl’s work. Riefenstahl was revolutionary, pioneering in the 1930s a number of cinematographic innovations. She used unusual angles on her subjects; she distorted the …
Moral Reflection and Danish Cinema
May 1, 2012
Films are capable of producing all variety of responses from their viewers. When they give us an insight into other people’s lives, real or fictional, they are particularly good at provoking empathy. Perhaps the immediacy of seeing someone’s face, be it only an actor, allows us to identify with the character and reflect on their …
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